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All my performances within this genre are representations of living breathing people or of living breathing portraits. They are slow and strange, and the life in them is intensified. Only the Mona Lisa differs from this in that she is a ‘number’: a comic piece.
I do my own research both artistic and of painting and making materials. I adapt abstractions and physical contortions into human form and painted illusion, such as the placing of the body Picasso’s Harlequin, and the distorted hands in that same picture and in Lautrec’s Englishman at The Moulin Rouge. All backgrounds, make up, clothes and props are executed by me.
[Note. Only on television am I asked to keep still and do what I call “the Scooby Doo gag”, i.e. suddenly come to life.]